soilwork the living infinite

The song is filled with different melodic riffs that embrace Bjorn Strid’s stunningly versatile vocals. It ends with a really good keyboard solo. MetalEnlightenment , March 21st, Long Live the Misanthrope. There have been a fair share of oddities to grace the metal stage of late, but Soilwork’s latest offering in “The Living Infinite” definitely ranks as one of the more outlandish contenders for the title. Writing, performance and production credits are adapted from the album liner notes. Amazon’s Soilwork Store Music.

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The Living Infinite – Wikipedia

The Living Infinite” in Finnish. Swiss Albums Schweizer Hitparade [24]. The six guys from Sweden, France, and Belgium simply released a double-record with eight-five minutes of music and a total of twenty tracks.

The recurring theme work between the two title songs “The Living Infinite” carry the heaviest reminder of Soilwork’s earlier melodeath roots, and will be the chief draw for older fans, but bits and pieces of every song on here find a similar affinity with ideas heard on “Slaughter Of The Soul” and “The Jester Race”. Leads and glimmering walls of melody will break out at any time, often even as a support for the vocal chorus, while the drums are reduced to a minimal beat that generates an atmospheric breakdown.


Strid’s voice is on the top of his game, as he further refines his ability to deliver a melodic line with just a hint of the razor’s edge to manifest raw emotion. I think it’s just an updated version of melodic death metal.

A few of the tracks start off with the speed and technicality of Dirk’s drumming, this can also pop up mid-track throughout both albums.

Soilwork – The Living Infinite – Music

What I find so amazing about it is the nearly perfect balance between brutal, melodic, technical, and catchy. Regardless, I basically gave up on soilwor after FNF. From that point of view, Soilwork has done a clever job even though I would have preferred a shorter and more consistent release with only ten to twelve songs in the end.

I swear I hear some Opeth in there sometimes, along with some references to classic metal here and there. The Best of Soilwork To sum it up in a single statement, this intinite a metalcore album for non-metalcore fans, and that is meant in a positive way. I say modern metal because it’s clearly different from the melodeath of the ’90s or early s, with crystal clear production, vocal hooks, and mature songwriting. He wrote or co-wrote at least half the songs on this album, including the aforementioned 3 best ones.

Soilwork – The Living Infinite Review

The Living Infinite is their first album to feature new guitarist David Andersson, who replaces founding member Peter Wichers, who first left the band in only to return four years later. There have been a fair share of oddities to grace the metal stage of late, but Soilwork’s latest offering in “The Living Infinite” definitely ranks as one of the more outlandish contenders for the title.

When I say every song is great, I mean every song. Granted, it’s not likely to change the mind of anyone with an established enmity for the Soilwork style, but I definitely enjoyed this more than records like Figure Number Five, The Panic Broadcast, or Sworn to a Great Divide at any rate. The second disc is more for the fans of modern Soilwork, and is much more experimental. The songs are less brutal and more melodic.


Historically, Soilwork has a proclivity to go all in regarding the choruses, risking both life and limb in hope that Strid’s silky livinh can drive home the appeal when the requisite chorus swings around. Both from a songwriting and technical standpoint, the guitars are far more impressive on this album than they have been on any Soilwork album in years.

Other highlights here on Disc 2 include “The Living Infinite II” which boasts a beautiful acoustic guitar intro before going into some more heavier riffage and pounding thuds, and Speed delivers another phenomenal vocal performance as usualas well as “Rise Above the Sentiment” which anchors marching double bass thuds, as well as massive groove induced riffs, and some brief thrash tempos and another great solo backed by some pumping blast beatsand the closing track “Owls Predict, Oracles Stand Guard” which is dominated by some steady yet blistering double bass drumming from Dirk.

Long Live the Misanthrope. InflniteAugust 7th, The drummer, Dirk Verbeuren, also takes his performance to another level. Soilwork – The Living Infinite”. I’d say just go buy the album, for it has a lot to offer. And I don’t use that term to be derogatory at all. Page 1 of 1 Start over Page 1 of 1.